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Archaeology, Cultural Property, and the Military
Timely essays from experienced contributors examine the damage recent conflict has caused to cultural heritage, and how it may best be safeguarded in future. `Laurie Rush, a senior archeologist with the U.S. Army, has assembled a seminal book on the threat to important cultural sites from combat operations, and none too soon.Spurred by the tragic and unnecessary loss of artefacts andarchaeology from the invasion of Iraq, she and her colleagues make a persuasive case that a minimum of common sense can not only protect this shared heritage but also enhance the likelihood that a military mission will succeed, and with fewer casualties.This book should be required reading for senior military and civilian leaders, not just in the United States but throughout the world, who are able to initiate the training and education necessary to ensure that planning and targeting personnel will be able to identify significant sites and take every reasonable step to avoid damaging them.' RICHARD MOE, PROFESSOR EMERITUS, NATIONAL TRUST FOR HISTORIC PRESERVATION, US From Lawrence of Arabia to the Monuments Men to the contributors within this volume, academic scholars have found themselves engaged in conflict areas, in topics involving conflict, and in unlikely partnerships with military professionals.Motives and methods have varied dramatically over the years, but the over-riding theme of this volume is stewardship.In each case, an author has encountered a situation where their expertise has offered the potential tohelp save archaeological properties, historical structures, and sacred places - or has documented the process.Drawing on major contributions from seven armed forces, amongst others, this book aims to set out the obligations to protect cultural heritage under international Conventions; provide a series of case studies of current military practice; and outline the current efforts to enhance this.Overall, it offers examples, anecdotes, and lessons learnedthat can be used for consideration in planning future efforts for global archaeological stewardship. Contributors: Patty Gerstenblith, Krysia Spirydowicz, Julian Radcliffe, Corine Wegener, Joris Kila, Martin Brown, JamesZeidler, Laurie Rush, Paul R.Green, Darrell C. Pinckney, Diane C. Siebrandt, Hugo Clarke, Friedrich Schipper, Franz Schuller, Karl von Habsburg-Lothringen, Holger Eichberger, Erich Frank, Norbert Fürstenhofer, Stephan Zellmeyer,Sarah Parcak
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Destruction and Conservation of Cultural Property
In 1991 the mosque at Ayodhya in India was demolished by Hindu fundamentalists who claim that it stood on the birthplace of a legendary Hindu hero.During recent conflicts in former Yugoslavia, ethnic groups destroyed mosques and churches to eliminate evidence of long-term settlement by other communities.Over successive centuries, however, a single building in Cordoba functioned as a mosque, a church and a synagogue.The Roman Emperor Diocletian's Palace in Split is occupied today by shops and residential apartments.What circumstances have lead to the survival and reinterpretation of some monuments, but the destruction of others?This work asks whether the idea of world heritage is an essential mechanism for the protection of the world's cultural and natural heritage, or whether it subjugates a diversity of cultural traditions to specifically Western ideas.How far is it acceptable for one group of people to comment upon, or intercede in, the way in which another community treats the remains which it claims as its own?What are the responsibilities of multinational corporations and non-governmental organisations operating in the Developing World?Who actually owns the past: the landowner, indigenous people, the State or humankind?
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Intellectual and Cultural Property : Between Market and Community
This book focuses on the fraught relationship between cultural heritage and intellectual property, in their common concern with the creative arts.The competing discourses in international legal instruments around copyright and intangible cultural heritage are the most obvious manifestation of this troubled encounter.However, this characterization of the relationship between intellectual and cultural property is in itself problematic, not least because it reflects a fossilized concept of heritage, divided between things that are fixed and moveable, tangible and intangible.Instead the book maintains that heritage should be conceived as part of a dynamic and mutually constitutive process of community formation.It argues, therefore, for a critically important distinction between the fundamentally different concepts of not only intellectual and cultural heritage/property, but also of the market and the community.For while copyright as a private property right locates all relationships in the context of the market, the context of cultural heritage relationships is the community, of which the market forms a part but does not – and, indeed, should not – control the whole.The concept of cultural property/heritage, then, is a way of resisting the reduction of everything to its value in the market, a way of resisting the commodification, and creeping propertization, of everything. And, as such, the book proposes an alternative basis for expressing and controlling value according to the norms and identity of a community, and not according to the market value of private property rights.An important and original intervention, this book will appeal to academics and practitioners in both intellectual property and the arts, as well as legal and cultural theorists with interests in this area.
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Erhu Fine Tuners Brass Rust Proof Not Hurting Strings Erhu Accessories Musical Instrument
Erhu Fine Tuners Brass Rust Proof Not Hurting Strings Erhu Accessories Musical Instrument
Price: 1.33 € | Shipping*: 1.99 €
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Is there a hunting right with a bow on my property in Sweden?
In Sweden, there is a hunting right called "jaktretten" which allows landowners to hunt on their own property without needing a hunting license. This right typically includes the use of a bow for hunting purposes. However, it is important to check with local authorities or hunting regulations to ensure that there are no specific restrictions or requirements for bow hunting on your property in Sweden.
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What is the difference between harmony and melody?
Harmony refers to the combination of different musical notes played or sung simultaneously to create a pleasing sound. It involves the use of chords and the relationship between different notes played together. On the other hand, melody is a sequence of single notes that are perceived as a single entity. It is the main theme or tune of a piece of music and is usually the most memorable part of a song. In summary, harmony involves the combination of notes played together, while melody is a sequence of single notes that form the main theme of a piece of music.
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How does rainwater from the neighboring property reach our property?
Rainwater from the neighboring property reaches our property through natural drainage patterns and the force of gravity. It may flow downhill or through the soil, eventually reaching our property boundaries. The topography of the land, such as slopes or depressions, can also influence the direction and flow of rainwater towards our property. Additionally, man-made structures like gutters, downspouts, or drainage systems on the neighboring property can direct rainwater towards our property.
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Should property owners have more responsibility for their own property?
Yes, property owners should have more responsibility for their own property. They should be accountable for maintaining their property to ensure the safety and well-being of others. This includes regular maintenance, repairs, and ensuring that their property meets all safety standards. By taking on more responsibility, property owners can contribute to creating a safer and more pleasant environment for everyone.
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Property
Few political ideas are as divisive and controversial for some – and yet taken for granted by others – as the ownership of private property.For its defenders, private ownership is a fundamental right that protects individual freedom and ensures wider economic benefits for the community; for its critics, by contrast, property is institutionalised theft, responsible for lamentable levels of inequality and poverty. In this book, Robert Lamb explores philosophical arguments deployed to conceptualise, justify, and criticise private property ownership.He introduces the radical case against property advanced by anarchist and socialist writers, before analysing some of the most important and influential arguments in its favour.Lamb explains and assesses the various defences of property rights advanced by Locke, Hume, Hegel, J.S. Mill, and Nozick. He then shows how theorists such as John Rawls and his followers encourage us to rethink the very nature of ownership in a democratic society. This engaging synthesis of historical and contemporary theories of property will be essential reading for students and scholars of political philosophy.
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Transboundary Heritage and Intellectual Property Law : Safeguarding Intangible Cultural Heritage
Since the Intangible Heritage Convention was adopted by UNESCO in 2003, intangible cultural heritage has increasingly been an important subject of debate in international forums.As more countries implement the Intangible Heritage Convention, national policymakers and communities of practice have been exploring the use of intellectual property protection to achieve intangible cultural heritage safeguarding outcomes. This book examines diverse cultural heritage case studies from Indigenous communities and local communities in developing and industrialised countries to offer an interdisciplinary examination of topics at the intersection between heritage and property which present cross-border challenges.Analysing a range of case studies which provide examples of traditional knowledge, traditional cultural expressions, and genetic resources by a mixture of practitioners and scholars from different fields, the book addresses guidelines and legislation as well as recent developments about shared heritage to identify a progressive trend that improves the understanding of intangible cultural heritage. Considering all forms of intellectual property, including patents, copyright, design rights, trade marks, geographical indications, and sui generis rights, the book explores problems and challenges for intangible cultural heritage in crossborder situations, as well as highlighting positive relationships and collaborations among communities across geographical boundaries.Transboundary Heritage and Intellectual Property Law: Safeguarding Intangible Cultural Heritage will be an important resource for practitioners, scholars, and students engaged in studying intangible cultural heritage, intellectual property law, heritage studies, and anthropology.
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Lost Property
'Clever, brave and urgent. I thought about Lost Property for days after I finished it.' Sarah Moss, author of Ghost Wall'Fascinating and eloquent discussion of nationalism, art and conflict, leavened with wry humour.' Mail on Sunday____________________In the middle of her life, a writer finds herself in a dark wood, despairing at how modern Britain has become a place of such greed and indifference.In an attempt to understand her country and her species, she and her lover rent a busted-out van and journey through France and down to the Mediterranean, across Italy and the Balkans, finishing in Greece and its islands.Along the way, they drive through the Norman Conquest, the Hundred Years War, the Italian Renaissance, the 1990s and on to the current refugee crisis, encountering the shades of history, sometimes figuratively and sometimes - such as Joan of Arc, sitting pertly in the back of the van - quite literally. As she roadtrips through 10,000 years of civilization, watching humanity repeat itself with wars over borderlines and exceed itself with the creation of timeless art, the writer begins to reckon with the very worst and the very best in our collective natures - and it is in seeing the beauty beside the ugliness, the light among the trees, that she begins to see, finally, a way for her to go home.
Price: 14.99 £ | Shipping*: 3.99 £ -
Lost Property
'Clever, brave and urgent. I thought about Lost Property for days after I finished it.' Sarah Moss, author of Ghost Wall'Fascinating and eloquent discussion of nationalism, art and conflict, leavened with wry humour.' Mail on Sunday____________________In the middle of her life, a writer finds herself in a dark wood, despairing at how modern Britain has become a place of such greed and indifference.In an attempt at escape, she and her lover rent a busted-out van and journey through France and down to the Mediterranean, across Italy and the Balkans, finishing in Greece and its islands.Along the way, they drive through the Norman Conquest, the Hundred Years War, the Italian Renaissance, the Balkan wars of the 1990s and on to the current refugee crisis, encountering the shades of history, sometimes figuratively and sometimes - such as Joan of Arc, sitting pertly in the back of the van - quite literally. As she roadtrips through 10,000 years of civilization, watching humanity repeat itself with wars over borderlines and exceed itself with the creation of timeless art, the writer begins to reckon with the very worst and the very best in our collective natures - and it is in seeing the beauty beside the ugliness, the light among the trees, that she begins to see, finally, a way for her to go home.
Price: 8.99 £ | Shipping*: 3.99 £
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Which string instrument had the most strings?
The string instrument with the most strings is typically the harp. A standard concert harp has 47 strings, although some models can have up to 47 strings. The harp's large number of strings allows for a wide range of notes and tones to be produced, making it a versatile and expressive instrument.
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Which string instrument has the most strings?
The string instrument with the most strings is typically the harp. A standard concert harp can have up to 47 strings, although some harps can have even more. The large number of strings allows for a wide range of notes and tones to be produced, making the harp a versatile and expressive instrument.
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What is folk music?
Folk music is a genre of music that is passed down orally from generation to generation within a community or culture. It often reflects the traditions, customs, and values of a particular group of people. Folk music can encompass a wide range of styles and instruments, and it is typically characterized by its simplicity and authenticity. This genre of music has deep roots in history and is an important part of many cultures around the world.
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Is the property tax levied twice when a property is divided?
No, the property tax is not levied twice when a property is divided. When a property is divided, the total property tax is apportioned based on the new assessed value of each divided parcel. Each new parcel will then be responsible for paying its own portion of the property tax based on its individual assessed value. Therefore, the property tax is not doubled, but rather divided among the new parcels based on their respective values.
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