Products related to Politics:
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Aaron Copland in Latin America : Music and Cultural Politics
Between 1941 and 1963, Aaron Copland made four government-sponsored tours of Latin America that drew extensive attention at home and abroad.Interviews with eyewitnesses, previously untapped Latin American press accounts, and Copland’s diaries inform Carol A.Hess’s in-depth examination of the composer’s approach to cultural diplomacy.As Hess shows, Copland’s tours facilitated an exchange of music and ideas with Latin American composers while capturing the tenor of United States diplomatic efforts at various points in history.In Latin America, Copland’s introduced works by U.S. composers (including himself) through lectures, radio broadcasts, live performance, and conversations.Back at home, he used his celebrity to draw attention to regional composers he admired.Hess’s focus on Latin America’s reception of Copland provides a variety of outside perspectives on the composer and his mission.She also teases out the broader meanings behind reviews of Copland and examines his critics in the context of their backgrounds, training, aesthetics, and politics.
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Rethinking Chinese Politics
Understanding Chinese politics has become more important than ever.Some argue that China's political system is 'institutionalized' or that 'win all/lose all' struggles are a thing of the past, but, Joseph Fewsmith argues, as in all Leninist systems, political power is difficult to pass on from one leader to the next.Indeed, each new leader must deploy whatever resources he has to gain control over critical positions and thus consolidate power.Fewsmith traces four decades of elite politics from Deng to Xi, showing how each leader has built power (or not).He shows how the structure of politics in China has set the stage for intense and sometimes violent intra-elite struggles, shaping a hierarchy in which one person tends to dominate, and, ironically, providing for periods of stability between intervals of contention.
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Push : Software Design and the Cultural Politics of Music Production
Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps.Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, "user-friendly" interfaces.Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the "industry standard," "professional" DAW of choice by incorporating design elements from pre-digital music technologies.Other software, like Cycling 74's Max, asserted its alterity to "commercial" DAWs by presenting users with nothing but a blank screen.These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance.It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry.It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's "design thinking." Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers.Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.
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Kitsch! : Cultural Politics and Taste
From bottle gardens, the bachelor pad and Batman to designer gnomes and monogamy spray, this book uses a diverse range of objects to explore the changing significance of kitsch.With its unique approach to its subject, Kitsch! Cultural politics and taste promises to advance debates in cultural studies and sociology around taste, while providing an invaluable introduction for students and interested readers. Kitsch! examines how the idea of kitsch is mobilised - progressively, as bad taste, as camp and as cool - to inform notions of identity and sensibility.Where most studies proceed from the kitsch object, this book takes the moment of aesthetic judgement as its starting point and attempts to identify the ideological work performed by the category itself.The book poses the strongest challenge to those who argue that taste is democratised in contemporary culture, offering ample evidence that judgements of taste have shifted ground rather than relaxed. Above all, the story of kitsch proposed by the authors is intended to disturb kitsch's reputation as the source of a ready-made sensibility and politics.Kitsch has a history and not, as it has been supposed, an essence and is consequently the site of love, hate, joy, exasperation, irony, nausea and all of the twisted possibilities between. -- .
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Can music influence politics?
Yes, music can influence politics by shaping public opinion, raising awareness about social issues, and mobilizing people to take action. Music has the power to inspire and unite people, making it a powerful tool for political movements and activism. Artists have used their music to express political messages and challenge the status quo, often leading to social and political change. Additionally, music can be used as a form of protest and resistance against oppressive political systems. Overall, music has the potential to play a significant role in shaping political discourse and driving social change.
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Does music have anything to do with politics?
Music has often been used as a tool for political expression and activism. Artists have used their music to convey messages about social issues, protest against injustices, and advocate for change. Music can serve as a powerful medium to mobilize people, raise awareness, and inspire action, making it inherently connected to politics. Additionally, governments and political movements have also used music as a propaganda tool to promote their ideologies and influence public opinion.
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What is politics?
Politics is the process of making decisions that apply to members of a group. It involves the activities associated with governance and power relations within a society. Politics encompasses a wide range of activities, including voting, lobbying, and governing, all aimed at influencing or controlling the policies and actions of a government or organization. It is a fundamental aspect of human society that shapes how resources are distributed, laws are made, and conflicts are resolved.
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Is politics good?
The goodness of politics is subjective and depends on individual perspectives. Politics can be good when it serves the interests of the people, promotes equality, and ensures justice and freedom for all. However, it can also be seen as negative when it is driven by corruption, self-interest, and division. Ultimately, the goodness of politics is determined by the actions and intentions of those involved in the political process.
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Michelangelo Pistoletto : Figuration and Cultural Politics
Examining the Italian artist’s career-long exploration of the human figure, this book offers new perspectives on the history of postwar and contemporary art Widely regarded as the central protagonist of Arte Povera, the twentieth-century Italian art movement characterized by its rejection of representation, Michelangelo Pistoletto (b. 1933) is known for his movement-defining Minus Objects and iconic mirror paintings, as well as his recent social practice addressing migration and climate change.What has unified Pistoletto’s work over six decades, argues author Tenley Bick, is his persistent, and seemingly paradoxical, investigation of figuration, most often as a system of representation of the human body. Michelangelo Pistoletto: Figuration and Cultural Politics traces the figure as a throughline across the artist’s painting, photomontage, sculpture, installation, performance, and social practice, from the formative years of his career in the 1950s to today.It situates Pistoletto’s exploration of the figure within the culture and leftist politics of Italy and beyond in the 1960s and 1970s to examine why, in an era that was defined, for many, by the end of humanism, Pistoletto held on to the figure as an embattled platform for rethinking art and the world.Featuring previously unseen early drawings and design work, newly discovered exhibition histories, and insights gleaned from interviews with the artist, this book reframes our understanding of a prolific artist and of artmaking in the postwar era.
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Erhu Fine Tuners Brass Rust Proof Not Hurting Strings Erhu Accessories Musical Instrument
Erhu Fine Tuners Brass Rust Proof Not Hurting Strings Erhu Accessories Musical Instrument
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Cultural Politics in Harry Potter : Life, Death and the Politics of Fear
Cultural Politics in Harry Potter: Life, Death and the Politics of Fear is the first book-length analysis of topics, such as death, fear and biopolitics in J.K.Rowling’s work from controversial and interdisciplinary perspectives.This collection brings together recent theoretical and applied cultural studies and focuses on three key areas of inquiry: (1) wizarding biopolitics and intersected discourses; (2) anxiety, death, resilience and trauma; and (3) the politics of fear and postmodern transformations.As such, this book: provides a comprehensive overview of national and gender discourses, as well as the transiting bodies in-between, in relation to the Harry Potter books series and related multimedia franchise; situates the transformative power of death within the fandom, transmedia and film depictions of the Potterverse and critically deconstructs the processes of subjectivation and legitimation of death and fear; examines the strategies and mechanisms through which cultural and political processes are managed, as well as reminding us how fiction and reality intersect at junctions, such as terrorism, homonationalism, materialism, capitalism, posthumanism and technology. Exploring precisely what is cultural about wizarding politics, and what is political about culture, this book is key reading for students of contemporary literature, media and culture, as well as anyone with an interest in the fictional universe and wizarding world of Harry Potter.
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Edinburgh German Yearbook 13 : Music in German Politics / Politics in German Music
Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century. A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J.S. Bach's cello suites in front of the Berlin Wall on November 11, 1989.Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context.Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories.Playing a key role in the formation of Heimat and "Germanness," it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion. This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century.They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "classical" and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.
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Is politics xenophobic?
Politics itself is not inherently xenophobic, but it can be influenced by xenophobic attitudes and policies. Xenophobia, or the fear and hatred of foreigners or people from different cultures, can be present in political rhetoric and decision-making. However, it is important to distinguish between individual politicians or political movements that may espouse xenophobic beliefs and the broader concept of politics as a whole. Ultimately, the extent to which politics is xenophobic depends on the specific actors and policies involved.
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Is religion politics?
Religion and politics are distinct concepts, but they often intersect and influence each other. Religion can play a significant role in shaping political beliefs and policies, and political leaders may use religious rhetoric to appeal to certain voter demographics. However, it is important to recognize that religion and politics are separate entities with their own unique functions and purposes. While they may overlap at times, they are not synonymous.
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What are the differences between today's politics and Athenian politics?
Today's politics are characterized by representative democracy, where citizens elect officials to make decisions on their behalf. In contrast, Athenian politics were based on direct democracy, where citizens directly participated in decision-making through assemblies and juries. Additionally, Athenian politics were limited to male citizens, while today's politics strive for greater inclusivity and representation of diverse groups. Furthermore, modern politics are influenced by complex party systems and professional politicians, while Athenian politics were more fluid and relied on the active participation of citizens in decision-making.
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Why is politics so much slower compared to corporate politics?
Politics is often slower compared to corporate politics because of the complex and diverse nature of government systems. In politics, decisions often involve multiple stakeholders, layers of bureaucracy, and public scrutiny, which can slow down the decision-making process. Additionally, political decisions can have long-term implications for society, so there is often more deliberation and debate involved. In contrast, corporate politics may be more streamlined and focused on short-term goals, allowing for quicker decision-making and implementation of strategies.
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